Sambo

Sambo is a modern martial art, combat sport and self-defense system developed in the Soviet Union and recognized as an official sport by the USSR All-Union Sports Committee in 1938, presented by Anatoly Kharlampiev.

The word Sambo is an acronym meaning "self-defense without weapons" in Russian. Sambo has its roots in Chinese Shuaijiao, Japanese judo and traditional folk styles of wrestling such as Armenian Koch, Georgian Chidaoba, Moldovan Trîntǎ, Uzbek Kurash, Mongolian Khapsagay and Azerbaijani Gulesh.

The founders of Sambo were Vasili Oshchepkov (who died during the political purges of 1937 for refusing to deny his education in judo under its founder Kano Jigoro) and Viktor Spiridonov. They independently developed two different styles, both with the same name. Spiridonov's style was a soft, aikido-like system developed after he was maimed during World War I. Anatoly Kharlampiev, a student of Victor Spiridonov, is often officially recognized as the founder of Sport Sambo.

Although it was originally a single system, there are now five generally recognized styles of Sambo:

• Sport Sambo is stylistically similar to amateur wrestling or judo. The competition is similar to judo, but with some differences in rules, protocol, and uniform. For example, in contrast with judo, Sambo allows all types of leg locks, while not allowing chokeholds and focuses on throwing, ground work and submissions.
• Self-defense Sambo, which is similar to aikijutsu, jujutsu or aikido and is based on self-defense application, such as defending against attacks by both armed and unarmed attackers. Many practitioners consider Self-Defense Sambo as part of Combat Sambo and not a system unto itself.
• Combat Sambo - Utilized and developed for the military, Combat Sambo includes practice with weapons, including disarming techniques. Competition in Combat Sambo resembles older forms of judo and modern mixed martial arts, including extensive forms of striking and grappling. The first FIAS World Sambo Championships were held in 2001.
• Special Sambo - developed for Army Special Forces and Rapid Reaction Police (Militsija) teams and other law enforcement formations. The Special Sambo style differs from team to team due to different tasks and aims; however, the base of any special system developed in that field is of course Sambo. The term "Special Sambo" is a relatively new term which refers to specialized versions of combat Sambo.
• Freestyle Sambo - uniquely American set of competitive Sambo rules created by the American Sambo Association (ASA) in 2004. These rules differ from traditional Sport Sambo in that they allow choke holds and other submissions from Combat Sambo that are not permitted in Sport Sambo. Freestyle Sambo, like all Sambo, focuses on throwing skills and fast ground work. No strikes are permitted in Freestyle Sambo. The ASA created this rule set in order to encourage non-Sambo practitioners from judo and jujitsu to participate in Sambo events.

The founders of Sambo deliberately sifted through all of the world's martial arts available to them to augment their military's hand-to-hand combat system. One of these men, Vasili Oschepkov, taught judo and karate to elite Red Army forces at the Central Red Army House. He had earned his nidan (second degree black belt out of then five) from judo's founder, Kano Jigoro, and he was one of the first foreigners who learned Judo in Japan and he used some of Kano's philosophy in formulating the early development of the new Soviet art.

Sambo was in part born of native Russian and other regional styles of grappling and combative wrestling, bolstered with the most useful and adaptable concepts and techniques from the rest of the world.

As the buffer between Europe and Asia, Russia had more than ample opportunity to evaluate the martial skills of various invaders. Earlier Russians had experienced threats from the Vikings in the West and the Tatars and Genghis Khan's Golden Horde from Mongolia in the East. The regional, native combat systems included in Sambo's genesis are Tuvan Khuresh, Yakuts khapsagai, Chuvash akatuy, Georgian chidaoba, Moldavian trinta, Armenian kokh, and Uzbek Kurash to name a few.

The foreign influences included various styles of European wrestling, Japanese jujutsu, French Savate and other martial arts of the day plus the classical Olympic sports of amateur boxing and Greco-Roman and freestyle wrestling. Sambo even derived lunging and parrying techniques from the Italian school of swordsmanship.

Sambo's early development stemmed from the independent efforts of Oschepkov and another Russian, Victor Spiridonov, to integrate the techniques of judo into native wrestling styles. Spiridonov's background involved indigenous styles of Russian martial art. His "soft-style" was based on the fact that he received a bayonet wound during the Russo-Japanese War which left his left arm lame. Both Oschepkov and Spiridonov hoped that the Russian styles could be improved by an infusion of the techniques distilled from jujutsu by Kano Jigoro into his new style of jacket wrestling. Contrary to common lore, Oschepkov and Spiridonov did not cooperate on the development of their hand-to-hand systems. Rather, their independent notions of hand-to-hand combat merged through cross-training between students and formulative efforts by their students and military staff. While Oschepkov and Spiridonov did have occasion to collaborate, their efforts were not completely united.

Each technique was carefully dissected and considered for its merits, and if found acceptable in unarmed combat, refined to reach Sambo's ultimate goal: to stop an armed or unarmed adversary in the least time possible. Thus, the best techniques of jujutsu and its cousin, judo, entered the Sambo repertoire. When the techniques were perfected, they were woven into Sambo applications for personal self-defense, police, crowd control, border guards, secret police, dignitary protection, psychiatric hospital staff, military, and commandos.

In 1918, Lenin created Vseobuch (or General Military Training) under the leadership of N.I. Podovoyskiy to train the Red Army. The task of developing and organizing Russian military hand-to-hand combat training fell to K. Voroshilov, who in turn, created the NKVD physical training center Dinamo.

Spiridonov was a combat veteran of World War I and one of the first wrestling and self-defense instructors hired for Dinamo. His background included Greco-Roman wrestling, freestyle wrestling, many Slavic wrestling styles, and Japanese jujutsu. As a combatives investigator for Dinamo, he traveled to Mongolia and China to observe their native fighting styles.

In 1923, Oschepkov and Spiridinov collaborated (independently) with a team of other experts on a grant from the Soviet government to improve the Red Army's hand-to-hand combat system. Spiridonov had envisioned integrating all of the world's fighting systems into one comprehensive style that could adapt to any threat. Oschepkov had observed Kano's distillation of Tenjin Shin’yo Ryu jujutsu and Kito Ryu jujutsu into judo, and he had developed the insight required to evaluate and integrate combative techniques into a new system. Their development team was supplemented by Anatoly Kharlampiev and I.V. Vasiliev who also traveled the globe to study the native fighting arts of the world. Ten years in the making, their catalogue of techniques was instrumental in formulating the early framework of the art to be eventually referred to as Sambo. Here, Oschepkov and Spiridonov's improvements in Russian wrestling slipped into the military's hand-to-hand-combat system.

Kharlampiev is often called the father of Sambo. This may be largely semantics, since only he had the longevity and political connections to remain with the art while the new system was named "Sambo". However, Kharlampiev's political maneuvering is single-handedly responsible for the USSR Committee of Sport accepting Sambo as the official combat sport of the Soviet Union in 1938—decidedly the "birth" of Sambo. So, more accurately, Kharlampiev could be considered the father of "sport" Sambo.

Spiridonov was the first to actually begin referring to the new system as one of the "S" variations cited above. He eventually developed a softer, more aikido-like system called Samoz that could be used by smaller, weaker practitioners or even wounded soldiers and secret agents. Spiridonov's inspiration to develop Samoz stemmed from his injury that he suffered that greatly restricted his ability to practice Sambo or wrestling. Refined versions of Sambo are still used today or fused with specific Sambo applications to meet the needs of Russian commandos today.